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c. 1445 – May 17, 1510. Italian painter.

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Jacopo Robusti Tintoretto
The Washing of the Feet

ID: 28635

Jacopo Robusti Tintoretto The Washing of the Feet
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Jacopo Robusti Tintoretto The Washing of the Feet


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Jacopo Robusti Tintoretto

1518-1594 Italian Tintoretto Galleries The real name of Tintoretto was Jacopo Robusti, but he is better known by his nickname, meaning the "little dyer, " his father having been a silk dyer. The artist was born in Venice and lived there all his life. Even though his painting is distinguished by great daring, he seems to have led a rather retired life, concerned only with his work and the well-being of his family. His daughter Marietta and his sons Domenico and Marco also became painters, and Domenico eventually took over the direction of Tintoretto's large workshop, turning out reliable but un-inspired pictures in the manner of his father. Some of them are, on occasion, mistaken for works of the elder Tintoretto. Tintoretto appears to have studied with Bonifazio Veronese or Paris Bordone, but his true master, as of all the great Venetian painters in his succession, was Titian. Tintoretto's work by no means merely reflects the manner of Titian. Instead he builds on Titian's art and brings into play an imagination so fiery and quick that he creates an effect of restlessness which is quite opposed to the staid and majestic certainty of Titian's statements. If Tintoretto's pictures at first sight often astonish by their melodrama, they almost inevitably reveal, at closer observation, a focal point celebrating the wonders of silence and peace. The sensation of this ultimate gentleness, after the first riotous impact, is particularly touching and in essence not different from what we find (although brought about by very different means) in the pictures of Titian and Paolo Veronese. Tintoretto was primarily a figure painter and delighted in showing his figures in daring foreshortening and expansive poses. His master in this aspect of his art was Michelangelo. Tintoretto is supposed to have inscribed on the wall of his studio the motto: "The drawing of Michelangelo and the color of Titian." Unlike Michelangelo, however, Tintoretto worked and drew very quickly, using only lights and shadows in the modeling of his forms, so that his figures look as if they had gained their plasticity by a kind of magic. In the rendering of large compositions he is reported to have used as models small figures which he made of wax and placed or hung in boxes so cleverly illuminated that the conditions of light and shade in the picture he was painting would be the same as those in the room in which it was to be hung.  Related Paintings of Jacopo Robusti Tintoretto :. | Sketch for Paradise in the Sala del Maggior Consiglio at the Ducal Palace at Venice (mk05) | Ensther before Ahasuerus | Moses Saved from the Waters of the Nile | St.George and the Dragon | Suzanna at Her Bath (mk05) |
Related Artists:
Benjamin Marshall
1767-1835 British Benjamin Marshall Gallery was an English sporting and animal painter. He was a follower of George Stubbs and studied under Lemuel Abbott for a short period of time. After 1792, he began painting animals, settling at Newmarket in 1812 near the racetrack. He returned to London in 1825 and died in 1835.
RAMSAY, Allan
Scottish Rococo Era Painter, 1713-1784 Portrait painter, born in Edinburgh, son of the poet Allan Ramsay. He studied in Edinburgh, London, Rome, and Naples, settling in London in 1739 and quickly establishing himself as the leading portraitist of the capital. He was particularly successful in painting women. His career as a portrait painter ended in 1773
Denis Dighton
1792?C1827






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